How microbiome science, fermentation, longevity skincare, formula stability, and documented evidence are reshaping luxury skincare in 2026.

Italian artist Valerio Villani speaks with AH Magazine about painting, the human figure, the soul, colour, and the inner landscapes behind his work.

An English teacher walks into a room where she understands nothing and finally learns what her own students feel every day. A column on language, belonging, and the thousand dialects of intelligence.

There is a specific kind of weighted tension that exists when a family like ours enters a public space. For years, I carried that heavy atmosphere on my shoulders like a thick cloak. I would walk into a restaurant or a park in Durban, my eyes scanning the room, instinctively bracing myself for the "look." You know the one the curious tilt of the head, the pitiful furrow of the brow, and the inevitable, whispered South African remark: "Ag shame, man. "But there was one particu

In this interview, Donna Cyril reflects on photography, film, sound, and the everyday scenes through which she explores human connection, work, and place.

In conversation with AH Magazine, ceramic artist Agustina Garrigou reflects on her journey from industrial design to ceramics, working with clay, glazes and the themes of identity, migration and transformation.

A lobster across an evening gown, a skeleton in black jersey, Cocteau’s embroidery, London, film, and the contemporary house under Daniel Roseberry. In our feature on Schiaparelli: Fashion Becomes Art at London’s V&A, we return to Elsa Schiaparelli as the designer who bound haute couture to Surrealism, art, and the public image of her time.

In conversation with AH Magazine, artist Maria Vera reflects on her path from architecture to art, working with light and movement, and the Light Cycles installations presented at 88 Gallery in London.

The byVarga Spring/Summer 26 collection explores the relationship between structure and softness through sculptural silhouettes, organza layers, and precise tailoring by London-based designer Fanni Varga.

In this interview, photographer Julie Hrudová speaks about street photography in Amsterdam, her book Chasing Amsterdam, the StreetRepeat archive, and the visual language that emerges between documentary and art.

Artist Darina Komorowski speaks with AH Magazine about painting, symbolism, psychology, and the emotional language of flowers. Born in Kazakhstan and based in Dubai, her work explores fragility, time, and human relationships through powerful colour and structured composition.

Art Paris returns to the Grand Palais from April 9–12, 2026, bringing together around 165 international galleries. The fair unfolds around the themes Babel and Reparation, presenting artists, design editions, and the City of Paris contemporary art collection.

An in-depth interview with Isidora Caldovic on editorial make-up, special effects, Baroque influence, and building a visual language through texture and contrast.

Discover Oil Nut Bay in the British Virgin Islands, where architecture, sea, and design shape a refined Caribbean escape of villas, spa, and private beachfront living.

In this in-depth interview, Yinxue Zou reflects on language, pronunciation, cultural context, and the quiet power of typography. A thoughtful conversation about names, identity, and visual meaning in a global world.

In this interview, sculptor Anja Werner reflects on her work with wood, material memory, and the quiet strength of figurative form. A conversation about process, presence, and the human figure in contemporary sculpture.

Moulin Rouge! The Musical in Zurich 2026 at Theater 11

A deeply personal essay about learning, connection, and communication beyond sound. A mother shares how play, presence, and visual language helped her child understand the world through the color brown.

A tender Christmas morning becomes a turning point for one family as sign language transforms silence into shared meaning, joy, and deep connection, told through a vivid, intimate personal story.

Interview with Mirko Reisser (DAIM). From early graffiti to a 310 feet mural in Calgary, the WAI retrospective, and Taking Over at Galerie Borchardt.